MYTHIC. VULGAR. SLIGHTLY INSTRUCTIONAL.
IN OUR NO COMMENTS SECTION IMAGES – STILL AND MOTION – EMERGE ORPHANED OF EXPLANATORY TEXT, THEIR MEANINGS ENVELOPED IN LAYERED AMBIGUITIES AND INTO THE HEART OF THE INEXPRESSIBLE.
Digital art from the original gangsters – Me Company UK, est 1985.
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…I am finished.
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To be content with what we possess is the greatest and most secure of riches; to aspire to be more is the greatest and most certain of miseries.
ESSAY.
FILM REVIEW, CEMETERY MAN (1994)
There’s no need to worry. Haven’t you gotten used to eating sausages and cold cuts without meat, soy cheese, or imitation fresh milk that came directly from a lab somewhere?
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Our Echoversum is only a sliver of broader culture’s Echoverse, one more layer of dreams, stories, and beliefs enveloping it, adding complexity upon complexity and fragments upon fragments.
Herostratus’s insatiable, almost feverish craving for the hyperreal – the exaggerated simulations and imitations of reality, rather than authentic reality itself – drove him to an abject act of destruction of something beautiful and beloved.
This, your life, is some kind of Las Vegas.
FILM: 1964 JAPANESE HORROR BY KANETO SHINDO.
The chapter below is from the RIGHTEOUS SUFFERER (LUDLUL BĒL NĒMEQI) c.1700BC, a Sumerian and later Babylonian poem on the theme of unjust suffering.
