CINEMA
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Abuladze presents a world where the truth is dangerous, not because people kill for it (they kill indiscriminately and on a massive scale), but because the truth itself is lethal.
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We elucidate the intricate interplay of psychological, sexual, and theological motifs surrounding love and mortality as they unfold within the psyches of the film’s central characters.
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This labyrinthine nature of loyalty was superbly explored by Jim Jarmusch – America’s most original and interesting film director – 24 years ago, in 1999’s phenomenal Ghost Dog.
