THE MALADAPTED

MYTHIC. VULGAR. SLIGHTLY INSTRUCTIONAL.

NO COMMENT

IN OUR NO COMMENTS SECTION IMAGES EMERGE ORPHANED OF EXPLANATORY TEXT, THEIR MEANINGS ENVELOPED IN LAYERED AMBIGUITIES AND INTO THE HEART OF THE INEXPRESSIBLE.

Escape, Server Demirtas, 2015

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TMA

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  • MERDE-AU-VIN

    MERDE-AU-VIN

    Esteemed sovereign citizen, do you really think that in this ‘democracy’ you have the power? That your opinion, yes, yours, has value?

  • NO COMMENT

    NO COMMENT

    002

  • ANCIENT SUMERIAN LAMENTATIONS II

    ANCIENT SUMERIAN LAMENTATIONS II

    To be content with what we possess is the greatest and most secure of riches; to aspire to be more is the greatest and most certain of miseries.

  • TRIPOLITANIAN

    TRIPOLITANIAN

    ESSAY.

  • DELLAMORTE DELLAMORE

    DELLAMORTE DELLAMORE

    FILM REVIEW, CEMETERY MAN (1994)

  • NO COMMENT

    NO COMMENT

    001

  • RED STRINGS & CONE CAKES

    RED STRINGS & CONE CAKES

    Our Echoversum is only a sliver of broader culture’s Echoverse, one more layer of dreams, stories, and beliefs enveloping it, adding complexity upon complexity and fragments upon fragments.

  • HYPERREAL HUNGER

    HYPERREAL HUNGER

    Herostratus’s insatiable, almost feverish craving for the hyperreal – the exaggerated simulations and imitations of reality, rather than authentic reality itself – drove him to an abject act of destruction of something beautiful and beloved.

  • GIVE UP YOUR INTELLIGENCE

    GIVE UP YOUR INTELLIGENCE

    Being dumb is a choice. Look around you. You live in a world where being smart is inconvenient

  • WHAT WE FEAR

    WHAT WE FEAR

    The most valuable aspect of being afraid is that when a person is fearful, they become uncritical and easily manageable. We must be easily manageable because otherwise we begin to notice injustices and revolutions arise.

  • ONIBABA

    ONIBABA

    FILM: 1964 JAPANESE HORROR BY KANETO SHINDO.

  • ANCIENT BABYLON: THE RIGHTEOUS SUFFERER

    ANCIENT BABYLON: THE RIGHTEOUS SUFFERER

    The chapter below is from the RIGHTEOUS SUFFERER (LUDLUL BĒL NĒMEQI) c.1700BC, a Sumerian and later Babylonian poem on the theme of unjust suffering.

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